Modern Art 1851-1929: Capitalism and Representation by Richard R. Brettell

• Modern Art 1851-1929: Capitalism and Representation
• Richard R. Brettell
• Page: 272
• Format: pdf, ePub, mobi, fb2
• ISBN: 9780192842206
• Publisher: Oxford University Press, USA

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Richard R. Brettell's innovative and beautifully-illustrated account, the latest addition to the acclaimed Oxford History of Art series, explores the works of artists such as Monet, Gauguin, Picasso, and Dali--as well as lesser-known figures--in relation to expansion, colonialism, nationalism and internationalism, and the rise of the museum. Beginning with The Great Exhibition of 1851 in London, Brettell follows the development of the major European avant-garde groups: the Realists, Impressionists, Post-Impressionists, Symbolists, Cubists, and Surrealists. Giving attention to the changing social, economic, and political climate, the book focuses on conditions for the development ...

Richard R. Brettell Modern Art 1851-1929: Capitalism and
Modern Art 1851-1929: Capitalism and Representation (Oxford History of Art) Details: Amazon Sales Rank: #271448 in eBooks. Published on: Modern art, 1851-1929 : capitalism and representation. :: University
Modern art, 1851-1929 : capitalism and representation. authors: Brettell, Richard R. subjects: Art, Modern -- 19th century -- Europe; Art, Modern -- 20th century -- Modern Art, 1851-1929: Capitalism and Representation - Landmark
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Impression: Painting Quickly in France, 1860-1890, 2000. Modern Art: 1851-1929 ; Capitalism and Representation, 1999. Monet to Moore: The Millenium Gift of  introduction to modern art (0030) - Travis Nygard, Art Historian
Brettell, Richard R. Modern Art, 1851-1929: Capitalism and Representation. Oxford: Oxford University Press, 1999. Taylor, Joshua Charles. Learning to Look: A Richard Brettell - Modern Art 1851-1929: Capitalism and - Epinions
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